TheatreBall‘22, That’s A Wrap!
On June 21st, we welcomed donors, board members, and special guests to Evergreen Brick Works for the return of our annual Gala, TheatreBall'22! Keep on reading for the full event recap.
Updated: June 1, 2022
As of May 31, 2022, audience members are not required to provide proof of vaccination for outdoor performances. Audience members will be required to wear facemasks and provide proof of vaccination to attend indoor performance until further notice.
On June 21st, we welcomed donors, board members, and special guests to Evergreen Brick Works for the return of our annual Gala, TheatreBall'22! Keep on reading for the full event recap.
We’re delighted to welcome Kuné, Canada’s Global Orchestra, to the High Park stage as part of the Dream in High Park Summer Music Festival in partnership with Small World Music. We interviewed KUNÉ to learn more about their relationship, how they, as a collective, weave together various rich and diverse musical cultures, and what it means to create music in the city.
In this edition of CS Grid, we interviewed Shadowland Theatre, the set, costume and prop designers of Shakespeare's As You Like It, as part of the Dream in High Park summer program this year for an inside scoop on their work.
In this edition of CS Grid, guest writer Deirdre Kelly interviews the cast and creative team behind Crypto for an exclusive inside look into into the creation process, what makes this dance production unique, and much more.
We sat down with director Brendan Healy, dramaturge Daniel MacIvor and writer/performer Daniel Brooks, for an inside look at the play, Other People.
Watch the exclusive video interviews in this edition of CS Grid.
Catch up on all the talk surrounding In My Body! Follow the dance crew backstage, learn more about the choreographer, Crazy Smooth, and find out about the journey that’s brought this new work to stages across Canada. Get a dose of the electrifying dance performance turning the entire notion of aging on its head.
In this edition of CS Grid, U of T researcher Julija Pesic and cast member Teodora Djuric interview Johanna on her relationship to the late Bertolt Brecht, why she chose to direct this play and hear her spin fusing modern technology into live performance.
Esther Splett is an artist and musician who uses sound, video and performance to create multidisciplinary art from obsessive personal themes. See what they've been up to in the CS VR Lab.
In this edition of CS Grid, we take the time to reminisce on six of our most magical moments of 2021; and to celebrate the artists who are paving the way forward, despite many uncertainties, with full creative force, ingenuity, and resilience.
Canadian Stage will return to indoor theatre in January 2022 with a production of the Soviet space saga Solaris. Toronto Life talked to artistic director Brendan Healy about the big premiere.
We asked community-engaged artists to respond to New Monuments in three commissioned interviews where they shared their research, work, and lived experience of the subject matter of the film. This is the last of three interviews in the series, conducted by Fiona Raye Clarke.
We asked community-engaged artists to respond to New Monuments in three commissioned interviews where they shared their research, work, and lived experience of the subject matter of the film. This is the second of three interviews in the series, conducted by Fiona Raye Clarke.
Change can be a good thing. So, our team decided to shed an old layer and come out with a refreshed Canadian Stage look! In this edition of CS Grid, Tanya Doroslovac, our Associate Director of Marketing, Strategy and Growth, sat down with Jason Green from Puncture Design to talk about the secret sauce that went into creating our new brand.
We asked community-engaged artists to respond to New Monuments in three commissioned interviews where they shared their research, work, and lived experience of the subject matter of the film. This is the first of three interviews in the series, conducted by Fiona Raye Clarke.
Walk down memory lane with us as we relive the summer with a host of extraordinary performances and adventures at Dream in High Park.
Christine Friday is an Indigenous storyteller, choreographer, and dancer. In this edition of CS Grid, we take a deep dive into Christine's life story beyond the stage, inviting you into her mindscape and work inspirations and her relationship with self.
In this edition of CS Grid, we invite cast members of Is My Microphone On?, all between the ages of 13 to 17, to tell us what they care about. Find out what stirs their hearts, what answers they want, and what actions they demand.
MUKUTHÔ comes at a unique time and place, having it's world premire as part of Canadian Stage’s Dream in High Park summer program in Toronto. We hear from Timea Wharton-Suri, Curator and Program Director at dance Immersion, who gives us an inside look at the beginnings of this creation and how the work landed at High Park.
Interview excerpts with the BLACKOUT creators, Anton Lipovetsky (Crescendo Artist) and Steven Gallagher as well as Director and Dramaturg, Ann Hodges about their experiences developing the production.
Maziar Ghaderi from the Live Cinema Collective looks at the creation and future of live cinema.
On World Theatre Day Brendan reflects on the year that has been - a year of uncertainty and reflection - and looks to the future as we rebuild together.
Actors performing alone. A director editing in solitude. And audiences listening at home. Is Alison Wong’s visceral audio production of Cloudless the definitive play of the pandemic era?
Brendan Healy takes us through what 2020 looked like for him, according to his iPhone.
In the year of the pivot, the show’s creator opens up about branching out.
Ryan Cunningham and Sébastien Heins join the BMO Lab, the country’s only theatre workshop solely devoted to explorations in emergent technologies.
New York City-based theatre-making duo 600 Highwaymen on their work and the future of live performance.
The five guiding principles that we have developed in response to the pandemic.