Christine Friday is an Indigenous storyteller, choreographer, and dancer. In this edition of CS Grid, we take a deep dive into Christine's life story beyond the stage, inviting you into her mindscape and work inspirations and her relationship with self.
In this edition of CS Grid, we invite cast members of Is My Microphone On?, all between the ages of 13 to 17, to tell us what they care about. Find out what stirs their hearts, what answers they want, and what actions they demand.
MUKUTHÔ comes at a unique time and place, having it's world premire as part of Canadian Stage’s Dream in High Park summer program in Toronto. We hear from Timea Wharton-Suri, Curator and Program Director at dance Immersion, who gives us an inside look at the beginnings of this creation and how the work landed at High Park.
Interview excerpts with the BLACKOUT creators, Anton Lipovetsky (Crescendo Artist) and Steven Gallagher as well as Director and Dramaturg, Ann Hodges about their experiences developing the production.
Maziar Ghaderi from the Live Cinema Collective looks at the creation and future of live cinema.
On World Theatre Day Brendan reflects on the year that has been - a year of uncertainty and reflection - and looks to the future as we rebuild together.
Actors performing alone. A director editing in solitude. And audiences listening at home. Is Alison Wong’s visceral audio production of Cloudless the definitive play of the pandemic era?
Brendan Healy takes us through what 2020 looked like for him, according to his iPhone.
In the year of the pivot, the show’s creator opens up about branching out.
